#RIGHTEOUS KILL MOVIE#
#RIGHTEOUS KILL SERIAL#
#RIGHTEOUS KILL SERIES#
#RIGHTEOUS KILL FREE#

At least you'll have some Righteous Kill quotes (or even a monologue or two) to annoy your coworkers with in the meantime, right?

#RIGHTEOUS KILL FREE#

I know, I know, I still need to get the cast names in there and all that jazz, so if you have any corrections, feel free toĭrop me a line.

#RIGHTEOUS KILL MOVIE#

Transcribed using the screenplay and/or viewings of the movie to get the dialogue. Evidence of a protection racket develops in. With Christopher Fox, Clare Foster, Lisa Maxwell, Rhea Bailey. This puppy is a transcript that was painstakingly Righteous Kill: Part 1: Directed by Tim Leandro. Voila! Finally, the Righteous Kill script is here for all you fans of the Robert De Niro and Al Pacino movie. View all my reviews at Simon Says Movie Reviews: Kill Script - transcript from the screenplay and/or the Robert De Niro and Al Pacino movie Righteous Kill Script - Dialogue Transcript If Righteous Kill proves one thing, it is that casting legendary actors does not equate to an immediate success they can push it an extra mile further then most, but there has to be gas in the tank to start. As for Pacino and DeNiro, this film may serve as a career tipping point for these greats who have not graced the screen together since Michael Mann's epic, Heat. Avnet does have skill, but he needs to have faith in his direction and depart from clichés and unnecessary diversions. Instead we are drilled with a monotonous and seemingly very self-determined direction for the bulk of the film, only to have our linen table cloth yanked from beneath our plates and replaced by a burlap sack. Continually creating doubt in the viewer is the backbone of any successful thriller, and one that Righteous Kill is determined to ignore. So in an attempt to compensate we are dusted with a 30 second montage of flashbacks that do little to offer insight or believable motives for the actions of the guilty. When the final act comes, and all is revealed it seems egregiously forced, as so much time is spent pilling the blame on one, that when we are told the truth, the shift is jolting. Righteous Kill is crisply shot and continually gritty but its glossy exterior is most unbefitting of a film of such calibre. Yet the aforementioned successful portions only create a harsh contrast against the doldrums that are the movies lulls. There are strong segments displayed here, and earnest performances by the cast lead by Pacino and DeNiro who, collectively, are almost able to elevate the film from its cradle of mediocrity. Riley (Donnie Wahlberg) and Turk's sexual deviant fling, Officer Corelli (Carla Gugino), join in the hunt for evidence. As the body's build, as does the evidence that the cop in question may be Turk, and soon fellow servicemen Det.

#RIGHTEOUS KILL SERIAL#

No it's not a Batman crossover featuring the Riddler, but a serial killer with a penchant for rhymes and a methodology that echoes like a cop. All have been perpetrated against known scum, and all scenes are accompanied by a short poem.

#RIGHTEOUS KILL SERIES#

While on the trail of a high level dope dealer known as Spider (Curtis (50 Cent) Jackson), they are thrust into a series of murders that have suspicious coincidences. Throughout it all, Pacinos flamboyant, declamatory aggression struggles to find a chink in his rivals coiled and watchful defence. Reaching the end of their respective careers, both have a deep passion for their work, and a strong comradely with their partner. Righteous Kill gives us the geyser versus the pressure cooker. Grizzled New York detectives Rooster (Pacino) and Turk (DeNiro) claim to have 120 years experience between them. The worst about such a choice is not that it does not work (which to reiterate, it does not) but that it is so obvious the mechanism's purpose is to lead the viewer astray, that there is no longer any surprise to where the story is headed. Here, its only purpose is to throw the viewer off kilter, to smudge the holes in the script and the clichés surrounding the story and characters. In Inside Man, such an introduction had a purpose and a destination, which in turn progresses the narrative. A number of similar elements appear however, the most blatant being the opening act, video diary style confession which was utilized so well previously. Scripted by Inside Man writer Russell Gewirtz, Righteous Kill is neither as smart nor as crisply formulated as that Spike Lee venture. While significantly better then Avnet's earlier fare, the production is by no means seamless. In April we were subjected to the long-shelved travesty which was 88 minutes, and now in the fall months, we see the pair unite again for the much buzzed Robert DeNiro/Pacino contemplation Righteous Kill. Chalked up to director Avnet's resume this cycle are two films ranging from mediocre to painful, and both starring Pacino, whose display of acting coincidently ranges from mediocre to painful. If 2008 has given us, as the moving going public, any blunt conclusions it would be that Al Pacino should stay away from Jon Avnet.

Righteous kill